I first came across Erik Satie’s music when working at
Harewood House (my 'proper job' before my stint as line-manager in the world's
largest micro-sect). One of the CD's we had was his Gnossiennes, which are
pretty dark at times. This always made me laugh because the rest of the music
was the kind of really boring made-to-formula bombast classical music you'd
expect to
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